Tag Archives: Public Space

Why Detroit matters? Taking lessons from the motor city.

This is the sixth of six blogs written as part of the assessment for North American Cities, a second year undergraduate course in Geography at the University of Manchester. Required to write a blog of 1500 words on an issue of their choosing, Jacob Morris-Davies chose to write about Detroit …

Consider this, in 1940 you show Henry Ford this picture of Michigan Central Station, you say, “This is 2013, what do you think caused such a thing to happen?” To be frank his response would probably be along the lines of “the bomb”, “the apocalypse” or “the collapse of civilization”. Back then Detroit seemed indestructible, a freight train with unlimited momentum, but a train can only keep moving with tracks laid in front of it.

The transformation of Detroit over the last half century has been, to say the least, radical. What was once an industrial giant, the great manifestation of the American Dream, is now but a shell of its former self. Murder rates at ten times the national average(1), an alarming population decrease (it has halved since the 1960s)(2) and to top this all off on the 18th of July 2013 the city filed for chapter 9 bankruptcy(3). Why has this happened? Well that’s a complicated question, but an important one none the less. However, the question that should be on every economist, political scientist, sociologist and geographer’s lips is this. What happens next? Why? Because, if you think what’s happening to Detroit is unique, you’re wrong. At present, it may be exactly what’s around the corner for cities all over. If that’s to change, well, we better start paying attention.

How on earth did this happen?!?!

There are multiple possible explanations for the decline of Detroit, none of which are sufficient in themselves, here are just three of the main contributing factors.

Globalisation

Just as we saw the shift from city based economies to a national economy in the United States in the 19th century, the 20th century saw the rise of the global economy. Lower wages in East Asia have led to the decline of American industries across the country. Detroit is no exception.

Corruption

In the past 80 years five Detroit mayors and four country executives have either been sent to prison, were subject to federal probes, or were removed from office.(4) Giving out contracts to family members and creaming off taxpayer dollars are just the tip of iceberg. The political class in Detroit have contributed to the debt the city now sees itself in through irresponsible governance and outright Al Capone style tactics, yes that has even included the occasional murder.

Urban planning

Detroit is too big to function in without a car and contains too few people to justify such a massive land area. This is a map from the early 2000s(5), Detroit’s population has fallen even more since then but the point still stands. It is too spread out to function as a city. You cannot function in Detroit on foot, it’s impossible. But doesn’t everybody have a car? No, not in the Motor City. This has reduced social mobility, fuelled racial segregation and divided the city’s population geographically and socially.

But, whats going to happen now?

Here are three possible futures for Detroit, although we may not see these changes for many years, it is the actions of today that will determine the path the city takes.

It will be saved

The optimist in me believes that with the right intervention Detroit can be saved. By this I mean the city revitalised and re-populated. For jobs to be created and its crime rates reduced. For its image to be restored, to become a city in which people want to live again.

The 2009 auto industry bailouts were just the beginning, getting Detroit back on its feet is not just a matter of economics. No matter how many jobs are created its image and structure will not fundamentally change. The way working, living and moving interact in Detroit would have to be flipped on its head completely. People need to live in the city, at present over half of Detroit’s police force live outside of the city limits!(6) If the police force don’t want to live in their city, why would small business owners, young professionals or entrepreneurs? It would be a massive project, but not out of the question, large-scale top-down lead redevelopment would be the answer, the city is too far gone for private revitalisation such as gentrification to work.

Ruralisation

This is happening as we speak. Locals are turning huge areas of abandoned and unused land into farms, to grow food for themselves and for selling on. It is conceivable in the near future the city limits could become a sort of rural/urban hybrid.

In fact this is nothing new, only to a large urban area. Regions such as County Durham in the UK have transformed in a similar fashion since the decline of the coal industry in the UK. Small villages centred around mines are slowly changing into rural commuter villages, who is to say this will not be the future of Detroit?

Collapse 

There is of course the third option, complete and utter collapse. This may seem extreme, something to far in the future to be taken seriously right now, but isn’t that the arrogance of all civilizations that have fallen? Not to sound overly dramatic but why do we think we are any different, maybe this is the death of the industrial city?

We are already seeing people tour the derelict areas of Detroit, calling themselves urban explorers and place hackers.(7) This too is also not new, think about Rome, Athens, Giza; human beings seem to have a fascination with exploring the ruins of past civilizations. That is not to say it has not made its mark in history through its industry, music and culture but the physical place of Detroit may in the 21st century cease to be.

Why does it matter?

You may ask why does this matter in the whole scheme of things, isn’t Detroit a one off case? Maybe, but probably not, it’s more likely the first of many. It’s not the only city out there with issues in planning, corruption, social division and industrial decline. Detroit should be taken as a lesson of what can and will happen unless city authorities, governments and businesses act now to ensure the long term prosperity of the urban areas they inhabit. Just as Urbanization and Suburbanization defined past generations it is conceivable that ruralization or the process of collapse will define the next. Detroit is the perfect case study for the future, whatever that may be.

What happens to Detroit is not just of consequence for Americans, urban decline such as this is a global problem and somewhat ironically one of the main regions that may be affected is East Asia. In recent years China for example has been organising its various provinces into specialised economic zones each centered around cities based on certain types of industry.(8) At the moment, it’s working well for them to say the least. However, in 20-50 or 100 years when Africa becomes a competitor, what then? Will they have the exact same problem on their hands as Detroit? Cities with one purpose in mind cannot last and adapt.

What is being urban anyway? What makes a great city? Why do we live in cities in the first place? Are cities not more than a group of people centered around one purpose? Detroit raises the questions, should cities be more holistic? Should they always serve multiple functions? Do they need a purpose other than just being?

Detroit was defined by its auto industry, why are we defining the places we call home, where we live and die in service of a single economic function? Should cities not be places we would live regardless of the work available? Many think so, many think cities can bring out the greatest and most beautiful elements of humanity. Because cities can have their own function which cannot be defined by any one factor, cities can have a purpose of there own, just by being.

Have a look at Richard Rodgers master plan for Shanghai(9), it approaches how cities are organised in an entirely different fashion. He suggests the overlapping pathways, connections and intersections of people, ideas and events make cities what they are. Not its icons, its industry or its history, but instead the way in which its inhabitants interact.

Why are these flows of interaction important? Well, because the cities of the future are being designed today. Cities must be economically and ecologically sustainable if they are to, but should they not also be socially sustainable? Detroit is at present none of these things, but why this is, where it’s going and what will works to fix it are questions that need answering to help plan our cities of the future.

What happens next? Collapse or re-birth, adaptation or abandonment, consolidation or ruralization, I do not know. But I do know this, understanding what is happening in Detroit now is essential to understanding how we should plan cities of the future. I will be watching; so should you.

References

(1)   – http://www.neighborhoodscout.com/mi/detroit/crime/

(2) – http://www.freep.com/interactive/article/20130723/NEWS01/130721003/detroit-city-population

(3) – http://www.bbc.co.uk/news/world-us-canada-23369573

(4) – http://www.myfoxdetroit.com/story/23652333/from-then-until-now-a-look-at-detroits-80-year-corruption

(5) – http://growingcities.blogspot.co.uk/2010/10/detroit-reassembled.html

(6) – http://tcf.org/blog/detail/reinventing-detroit

(7) – http://detroiturbex.com

(8) –  Wei Ge, (1999) Special Economic Zones and the Opening of the Chinese Economy: Some Lessons for Economic Liberalization, World Development Vol. 27, No. 7, pp. 1267 – 1285,

 (9) http://www.richardrogers.co.uk/Asp/uploadedFiles/Image/1950_Shanghai%20Masterplan/RSHP_A_JS_1950_L_E_MP.pdf]

* http://zfein.com

** http://www.survivefrance.com/profiles/blogs/panic-in-detroit

Postpolitics, Parks and Protest

Graham Haughton, Professor of Urban and Environmental Planning, Planning and Environmental Management, School of Environment, Education and Development, University of Manchester

A protest camp sprang up overnight in Alexandra Park in January earlier this year, in one of the coldest spells of winter. The camp was set up in response to contractors moving in their equipment to begin felling trees around the park. Tents appeared, including some in the trees. Two rallies were held in protest attracting large numbers of people. Support came from local people passing through food and others supplies for the protestors. Quickly a strong security and media presence emerged too, with media coverage in the local press and regional TV[i]. Very quickly this became a major news story in South Manchester. The council defended its actions, claiming community consultations had been extensive and had led to a welcome scheme to regenerate and revive a park, attracting people back into it.

Whilst at one level this was a protest about tree removal, it very quickly emerged that the protestors had other concerns that underlay these. Consultation had been poor, in terms of gaining public awareness and engagement.  Some felt that the consultations had focused on the positives, underplaying the loss of trees. The science was disputed too, particularly the claim that felling involved only 200 or so ‘trees’, which protestors said was an underestimate as it failed to include the undergrowth areas. What constituted a tree was very much open to question – trees it seems are a sociocultural construct as much as a natural phenomenon. For some the restoration of flowerbeds was a problematic privileging of one type of ecology, the formal gardens preferred in the Victorian era when the park was created, whilst for others overgrowth trees were seen as ecologically inappropriate, with poor light resulting in limited opportunities for other ecological niches to develop. Other concerns included whether the renovations would permanently impact on Moss Side Carnival which had been a major event in the Park’s calendar since 1972, the climate change impacts of removing trees, and whether lack of consultation was because the city leaders felt immune to criticism due to its heavy domination by one party.

The contractors continued warily with their work of felling trees as protestors sought to disrupt them, with police and other security forces brought in to provide protection. Some concessions were made to the protestors to pull back on some of the planned felling. After about three weeks the tree felling programme was largely complete and the protest camp faded away, but leaving behind a continuing sense of grievance among some in the local community that they had largely been ignored.

Cities@manchester agreed to fund us (Anna Gilchrist, Graham Haughton and Erik Swyngedouw) to examine what was going on, quickly agreeing to fund some research whilst the camp was still in place. This allowed us to visit the protestors on site a couple of times, observe the contractors and security operations at work including talking police and contractors. After the camp had gone we continued our research, meeting a range of local policy makers, from the leader of the council to officials, professional ecologists and others. There was also a major public consultation event in the park soon after the protest camp which we attended. As if to confirm the protestors view, despite the fact that one of uses the park almost daily we only saw notices about this the day before .

We have made two videos about the protest camp, with the hope that we and others would be able to use them for teaching about postpolitics. That they helped in our emerging research was a bonus. The first video was self-filmed by Graham during a consultation meeting, on a day when he was noticeably starting to come down with a cold. It is proudly amateur and spontaneous, but hopefully it captures the spirit of the event. The second video is a companion piece, again self-filmed a few months later, covering our internal discussions as we sought to make sense of what the protests, with musings on urban political ecology and postpolitics to the fore. These can be viewed on the University’s you tube channel under the cities@manchester playlist. A key question that we address here is why the protest movement lost its momentum, that is how it failed to scale up to a more substantial challenge to the city authorities. Drawing on recent theoretical work on postpolitics, Erik in particular argues that this was in part a failure to move on from the initial focus on trees to the wider issues that protestors were also animated by. This was very different to another ‘trees in park’ protest this summer that reverberated around the world, Taksim Square in Istanbul.

 


 

[i] For the unfolding story, see for instance, this ITV clip, which contains links to videocasts from its broadcast coverage: http://www.itv.com/news/granada/topic/alexandra-park/ . For the BBC coverage see:  http://www.bbc.co.uk/news/uk-england-manchester-21289875  and http://www.bbc.co.uk/news/uk-england-manchester-21321490 and http://www.bbc.co.uk/news/uk-england-manchester-21491870 . The story as seen by the protestors themselves is powerfully conveyed on their website: http://savealexandraparkstrees.wordpress.com/ 

The Whitworth Park Community Archaeology and History Project

by Siân Jones, Hannah Cobb, Ruth Colton and Melanie Giles.

Whitworth Park was opened in 1890 towards the tail end of the most prolific park building period the country has ever known. It cost £69,000, and was filled with features designed for the recreation and health of the surrounding neighbourhood. The park became extremely popular on its opening, ‘abundantly visited’ by the local population (Manchester Courier, 5th July, 1890), with some ‘six to eight thousand’ people present on a Sunday afternoon in April 1893 (Manchester Courier, 15th April, 1893). In its Victorian and Edwardian hey-day, Whitworth Park boasted many typical features, such as a bandstand, a large boating lake, an observatory, various shelters, extensive formal flowerbeds, statues, and a covered walkway. However, many of these were removed in the post-war period; a common fate reflecting changes in urban park management and funding cuts.

An Edwardian postcard of Whitworth Park (Source: private collection of S. Jones)

An Edwardian postcard of Whitworth Park (Source: private collection of S. Jones)

The origins of public parks like Whitworth lie in the nineteenth century park movement, which was a response to the immense changes associated with industrialisation and urbanisation. Parks were designed to address many of the problems with this new urban environment, by providing access to nature, healthy pursuits, clean air, beauty and a sober venue for recreation (Conroy 1991). Indeed the public park was seen as a panacea to the ills of the urban condition and in its idealised form it embodied many of the social concerns of the Victorian period. As a specific kind of urban space, parks embodied a number of philanthropic and ‘improving’ ideals, as well as providing an arena for social control and the inculcation of middle class values (Wyborn 1994). Once part of the urban landscape, they quickly became sites of social encounter, tension and exclusion through which class, gender, civic, national and imperial identities were negotiated (Brück 2013). And despite significant changes, they remain important sites for the negotiation of memory, identity and place, as well as a focus for ideas associated with health, improved air quality, and other environmental concerns.

 

The Whitworth Park Community Archaeology and History Project aims to investigate the long-term social, material and natural histories of the park alongside its changing meaning for local communities. It also aims to use archaeology as a way of engaging contemporary residents with their heritage and to increase the social value of the Park. The project involves archival research, a small-scale oral history programme, and two seasons of excavation, with a wide-ranging volunteer programme and a series of school workshops. There are also public outreach events during the excavation seasons, and other forms of engagement such as newspaper articles, public talks and a project blog. Towards the end of the project we will produce a public leaflet about the Park’s history, a new display board in the Park, and a temporary exhibition in Manchester Museum.

Hannah uncovering the foundations of the bandstand 4th July 2012 (Photograph: S. Jones)

Hannah uncovering the foundations of the bandstand 4th July 2012 (Photograph: S. Jones)

 

Some of the Whitworth Park finds (Photograph: University of Manchester)

Some of the Whitworth Park finds (Photograph: University of Manchester)

The success of the project depends on a number of partnerships. It is led by the Archaeology Department at the University of Manchester and involves postgraduate and undergraduate students as well as academic staff. We hope to connect University-led research with the future of the local community: breaking down the barriers of ‘us’ and ‘them’, to link the hopes and aspirations of local people with those of the University. Our main community partner is the Friends of Whitworth Park, a group formed in 2005, with the aim of promoting the revival of the park for the benefit of the public, especially children, as well as updating ‘the historical infrastructure to make it relevant to contemporary life within a multicultural city’ (Shone 2005). Our other project partners, the Manchester Museum, the Whitworth Art Gallery and the Ahmed Iqbal Ullah Race Relations Resource Centre have forms of expertise and skill that support the public and school components, as well as established community relationships that we can draw on. A close relationship with Manchester City Council is also a key component both in terms of providing resources, and facilitating and promoting our work in the Park.

 

Volunteers participating in the Whitworth Park excavations in 2011 (Photograph: M. Giles)

Volunteers participating in the Whitworth Park excavations in 2011 (Photograph: M. Giles)

The excavations provide a remarkable catalyst, drawing the interest of park users. The physical remains of former park features such as the lake and the bandstand stimulate people’s imaginations and memories. Objects like marbles and other children’s gaming pieces, the remains of clay pipes, items of personal attire, like jewellery and buttons, all offer a powerful means of engagement. They connect people viscerally and emotively to the lives of previous generations of Mancunians and tell us about the unspoken aspects of daily life: the unwritten history of working and middle class lives. This gets to the heart of why the project provides such a rich context for combining research and community engagement. It also underlines why participation in the process of investigating Whitworth Park’s past creates enormous social value in the present. By exploring the park’s past, we hope to raise aspirations for its future, and to engage people in caring for their urban green spaces.

A lunchtime tour, July 2013 (Photograph: S. Jones)

A lunchtime tour, July 2013 (Photograph: S. Jones)

For more information about the Whitworth Park project visit our blog: http://whitworthparklife.wordpress.com/

The second season of excavation will take place 1st – 12th July 2013, Whitworth Park.

There will be an Open Day on 6th July in Whitworth Park.

Manchester Museum will hold a Big Saturday event on 13th July to coincide with the Festival for British Archaeology (http://festival.britarch.ac.uk/). For more information please visit Manchester Museum website: http://www.museum.manchester.ac.uk/whatson/

Acknowledgements:

The Whitworth Park Community Archaeology and History Project is funded by a grant from the Heritage Lottery Fund, with additional funding from the University of Manchester and Manchester City Council. The Project is led by the Department of Archaeology at the University of Manchester, in association with the Friends of Whitworth Park, Manchester Museum, the Whitworth Art Gallery, and Ahmed Iqbal Ullah Race Relations Centre. All of these organizations have committed considerable resources to the project. We would like to thank all of the above, alongside our volunteers, students and project staff for making the project a success. Finally, we would like to thank the residents of Manchester who have engaged with the project and shared their memories and aspirations with us.

 

References

Brück, J. 2013. Landscapes of desire: parks, colonialism, and identity in Victorian and Edwardian Ireland. International Journal of Historical Archaeology 17(1): 196-223.

Brück, J. and A. Tierney 2009. Landscapes of desire: parks, colonialism and identity in Victorian and Edwardian Ireland. UCD School of Archaeology/Heritage Council Archaeology Grant Report, Dublin. [http://www.ucd.ie/archaeology/staff/drjoannabruck/publications/]

Conroy, H. 1991. People’s Parks: The Design and Development of Victorian Parks in Britain. Cambridge: Cambridge University Press.

Shone, K. 2005. Whitworth Park Future Planning Document.

Wyborn, T. 1994. Parks for the People: the development of public parks in Manchester, c1830-1860. Manchester: University of Manchester.

 

Newspaper sources:

The Rambler in Manchester. Manchester Courier, 15th April, 1893.

Trees and Shrubs for Town Planting. Manchester Courier, 5th July, 1890.

 

Symposium report: The Making of Post-war Manchester, 1945-74: Plans and Projects

Poster

On the 8th May we organised a successful one-day symposium examining urban change in post-war Manchester, focussed upon infrastructural projects and the local implementation of central government initiatives in the three decades following 1945. Over one hundred people attended the event and engaged with a fascinating set of presentations from a range of geographers, historians, planners, architects and archaeologists composed of a mixture of well known professors, established scholars and new researchers. Fittingly for the symposium’s temporal focus it was held in the concrete bunker formerly known as the Kantorowich Building, designed by Professors Roy Kantorowich and Norman Hanson and completed in 1970. The speakers presented in the Cordingley Lecture Theatre, named after Reginald Cordingley (shown in full instructive mode below), Professor of Architecture at the University of Manchester between 1933 and 1962.

Source - Rylands Collection, Image Number - JRL1201094

Source – Rylands Collection, Image Number – JRL1201094

Aim: What changed in Manchester and what drove the changes?

The presentations were intended to reference transformative events and large scale built projects of the era in relation to civic plans, infrastructural initiatives, local and national government policies, technological innovation and the wider fiscal climate. The intellectual objective of the symposium programme was to reveal a selection of the significant narratives of the shifting social and physical development of the city during the years 1945 – 1974. Whilst we recognise that the two dates are, in many respects, arbitrary bookends for processes of change and urban development that are often long running and cumulative, they do provide a set of sensible marker posts – running from the end of the Second World War in 1945 up to 1974 and the wholesale political reorganisation of the conurbation in the wake of the Local Government Act (1972).

City of Manchester Plan

City of Manchester Plan

As a departure point, 1945 is particularly interesting and equally problematic, as it is all too easy to assume it as a pivotal moment, when, in actuality, it simply marked the end of the wartime hiatus and the resumption of many schemes and strategies devised in the decades before 1939. That said, many of the speakers made explicit reference to Rowland Nicholas’ 1945 City of Manchester Plan as a signature ‘visionary’ document of the era and it is evidently a useful narrative touchstone. It is perhaps unsurprising that the other end of these three decades was less considered. There were markedly fewer references to the formation of Greater Manchester, possibly reflective of its ambiguous status at the time and its limited legacy in the makeup of contemporary Manchester. It is now an apposite time to consider this period, via a public symposium, for several reasons, not least of all because some of the personnel directly involved in the projects are still around and can be ‘brought out of the woodwork’ to tell their stories. Moreover, primary documentary material is newly emerging into archives and becoming publicly available, and more generally it taps into growing scholarly engagement and broader public fascination with these three decades not just in this city, but across Europe.

map

This symposium built directly on our experience of curating a successful public exhibition in spring 2012, entitled Infra_MANC, that considered the role of infrastructure in the making of post-war cities by looking at the planning of the Mancunian Way elevated urban motorway, the never realised Picc-Vic railway tunnel, the Guardian ‘secret’ underground telephone exchange and fanciful notions for a rooftop city centre heliport. The 200 page illustrated catalogue from this exhibition has just been released online as free PDF book. The study of both built and unbuilt projects has the capacity to reveal new histories, particularly political relationships and the interplay of local interests with national policy directives. Unrealised urban schemes, be they for buildings or infrastructure, frequently leave unrefined traces of their gestation, promotion and failure that do not gloss over the fractious and antagonistic relations of policy makers and power players. In this regard the active debates and discourse around the things that did not physically alter, but still had the capacity to change, the city were as relevant to the symposium as the obvious large scale extant developments, which were also considered.

The Symposium

Speakers Laurence Brown and Niall Cunningham. Photo source - Joe Blakey

Speakers Laurence Brown and Niall Cunningham. Photo source – Joe Blakey

The event itself was arranged into four sessions. It began with a contextual overview, eloquently chaired by Professor Brian Robson and in the opening talk by Professor Michael Hebbert, a former professor at Manchester, dissected the limits of the assigned time frame and provided passionate prose on the relative shift from the modern industrial metropolis to a something approaching a post-modern service city and its refraction through the lens of Granada Television’s Coronation Street. Subsequent sessions dealt with spatial changes related to housing renewal, the development of key social institutions including higher education and the NHS, and the impact of pollution control on the environmental quality for the city and its citizens. Midway through the day a stimulating presentation was given on population migration in the post-war period contrasting the situation in Moss Side to Cheetham Hill, presented by University of Manchester colleagues Laurence Brown from History and Niall Cunningham based in the ESRC Centre for Research on Socio-Cultural Change (CRESC) (shown in the photograph above). The day concluded with presentations on the development of aviation facilities for Manchester, the broader culture of the Mancunian Way and a description of the ‘disconnected city’ caused by distinct shadow of unbuilt ring roads in the urban form of the city centre.

Each participant received a 36 page printed booklet containing the full programme and speaker details. The symposium also included a gallery of reproductions of nearly twenty of the key plans and maps from the era and the Manchester Modernist Society were on hand with their ‘pop-up shop’. The full programme and abstract of the presentations are given on the supporting blog, PostwarMcr. With the kind permission of the speakers we have been able to provide copies of the slides for the majority of the talks, which are also available via the blog.

The symposium was made possible with financial support via a Seedcorn grant from the Cities@Manchester initiative and with complementary fund through the Campion Fund of the Manchester Statistical Society. Behind the scenes logistical support was provided by colleagues in SED and several student volunteers from architecture and geography. The Manchester School of Architecture kindly underwrote printing costs.

The Future of Post-war Manchester

Manchester and its Region

 

We plan to develop an edited book following the themes of the symposium and we are pleased that many of the speakers have committed to contributing chapters. In broad terms the volume will be a compendium of new and existing works and organised in the manner of a ‘regional study’ with chapters covering key themes (housing, transport, education, industrial change, etc.). As such, the book will have clear resonances with earlier edited volumes, such as the survey prepared under the editorship of Charles Carter for the meeting British Association for the Advancement of Science held in Manchester, August 29 to September 5, 1962. As currently proposed, our new title, The Making of Post-war Manchester will, hopefully, be much broader in style and with discursive space for commentaries, shorter essays and visual interpretations of how city changed during the thirty or so years after the end of the Second World War. It is likely that it will be published and distributed by bauprint, Richard’s cottage publishing arm, designed and priced to appeal to wide readership interested in the city’s histories. Once the initial print run is sold we will also make the book available free online as a popular and educative resource.

The Making of Post-war Manchester symposium brought together scholars from a range of disciplines and professionals in planning and architecture, along with students studying aspects of Manchester’s development, and some members of the general public, interested in the recent history of their city. It is hoped that the crossing of disciplines will provide new narrative associations previously unexplored that may act as a platform for further research and discourse.

Richard Brook, Senior Lecturer, Manchester School of Architecture 

Martin Dodge, Senior Lecturer, Department of Geography, University of Manchester 

 

Suspended spaces

A map of suspended spaces in Manchester city centre

A map of suspended spaces in Manchester city centre. Click to interact or add more spaces

by Sam Baars, PhD candidate, Institute for Social Change

At first sight the city is all noise, movement and purpose – a place where people, vehicles and buildings jostle for space and every last inch of ground is accounted for by its function. But in this bustling urban environment inactive, suspended spaces are abundant. Manchester city centre is host to dozens of them – stalled construction sites, abandoned buildings and empty plots – and many can be found within walking distance of Piccadilly. This is a brief guide to a selected few.

If you’re coming to Manchester by train you can enjoy some of the city’s most prominent suspended spaces before you’ve even set a foot down. Arriving into Piccadilly, the view to your left is dominated by the derelict Mayfield Station, empty since 1986 and with no firm proposals for redevelopment, while to your right is a hole in the ground the size of Piccadilly Gardens, occasionally filled with parked cars, which was to be the site of the 58-storey Piccadilly Tower before the recession brought construction work to a halt in 2008. On exiting the station to the north you’re greeted by the meandering S of Gateway House which, currently empty save for its ground floor shops, forms a slightly decrepit entrance to a smart city. To the west, nestled between some of the city’s most expensive hotels, are the broken windows of the Employment Exchange, whose tortuous journey from drawing board to construction was interrupted by the Second World War. The recession, which put paid to the Albany Crown Tower proposed for the site, has granted the Employment Exchange temporary respite from the bulldozers – and afforded this former labour office a glimpse of a recession-stricken Manchester in which unemployment currently stands at 12%. To the south of Piccadilly Station sits London Road Fire Station, a fume-blackened Edwardian gem which has been empty for fifteen years while various proposals for music venues, hotels and a museum have come and gone. Urban explorers 28 Days Later reveal that the building is now home to an impressive collection of stuffed animals.

Arriving by car, it couldn’t be easier to find somewhere central to park. Piccadilly Basin, once a hub of canalside warehouses and home to the headquarters of the Rochdale Canal Company, is, as irony would have it, now home to the parked car – a symbol of the victory of the twentieth century motorway over the Victorian waterway. There is a masterplan for Piccadilly Basin which includes offices, retail, apartments and leisure, along with the flagship Eider House, whose triangular site is currently home to Linda’s Pantry and a van rental depot. But until the masterplan is realised, Piccadilly Basin will continue to be a space for stationary vehicles. One of the few suspended spaces in the city centre not to be transformed into a car park is a meagre patch of grass and goose poo next to Tariff Street, which is a popular spot for barbecues in the summer and will become homes and shops when the masterplan eventually comes to fruition.

A short walk along the Rochdale Canal into Ancoats reveals the single largest suspended space in the city centre. New Islington is at last beginning to take shape, over a decade after funding was secured to transform it into a Millennium Community. While some set pieces such as the Chips building were completed by 2006, the rest of the project stalled as the effects of the financial crash a year later trickled through into the credit and housing markets. The site is still largely a wasteland of debris from the demolished Cardroom Estate, although new houses, a marina, a public park and a school are now in progress. Northwest along the ring road sits the skeleton of Nuovo, which has graced the entrance to Ancoats since 2007 and remains incomplete six years later after its developer filed for bankruptcy.

Turning back towards the city centre, immediately opposite these totems of space suspended by the (in)operation of private finance, is a suspended space of an altogether different nature. Between Dean Street and Port Street is a triangular plot hosting a single house (number 75) surrounded by temporary car parks. This suspended space isn’t a physical incarnation of the vagaries of the market, a la Nuovo and New Islington, but the ghost of a government plan. Sketches drawn up by the City Council in the 1960s and 70s show the proposed new Inner Circle Road blasting its way through this gap en-route to an interchange that would have wiped out much of Ancoats. As with many grand highway-building plans from that era, such as the extension of the M57 along the Hyde Road, even when the roads were never realised they often left behind scars of deterred development along their route.

Further towards the city centre, sandwiched between Port Street, Hilton Street and Newton Street is a small wedge of land occupied by Bradley House, Manchester’s Victorian take on New York’s Flatiron, and the Hatters hostel with its equally stateside metal fire escapes. There is a gap between these two buildings where a pub once stood – the Sir Sidney Smith, which became the Old Windmill and finally the Kensington before it was demolished in the 1970s. One of the smallest suspended spaces on the route, the Kensington gap is a temporary car park and home to a giant blue tit who arrived in 2012.

Outside the Piccadilly area Manchester city centre has many more suspended spaces: Origin, the Faraday Tower, the Tib Street Horn, Smithfield Market and the Ancoats Dispensary to name but a few. The intriguing thing about all of these suspended spaces is their variety. Firstly, they exist for different reasons. Most of these spaces are artifacts of market collapse – planned towers, Millennium Communities and entire swathes of canalside land all hibernating for the protracted economic winter. Some, however, are shadows of a centrally planned future that never left the page. Secondly, suspended spaces appear in different guises. Some are empty voids of bare earth or rubble – Picadilly Tower and much of New Islington, some contain buildings whose useful function has lapsed – Smithfield Market and the Employment Exchange, while others are home to structures that were grounded before they were even completed – Origin, Nuovo. Finally, suspended spaces accommodate a variety of interim uses, both official and unofficial. While car parks are de rigueur, such as at Piccadilly Basin, some are graced with public art – the Tib Street Horn, the Kensington blue tit, and, very occasionally, suspended space can become green space, such as at Tariff Street. Suspended spaces, by their nature as redundant, forgotten realms, have also been appropriated organically – The Kensington is a popular space for band shoots and Saturday night altercations, the London Road Fire Station and Faraday Towers are frequented by urban explorers, and a small patch of Piccadilly Basin is now home to a cluster of allotments.

Suspended spaces are an inevitable component of the cityscape: paradoxically, as pockets of inactivity they are a byproduct of a dynamic, changing urban environment. Stalled transitions between the past and the future, suspended spaces demonstrate what can happen when plans meet a hostile reality, but also how we can, at least on occasion, find innovative interim uses for the resulting land. Some suspended spaces are gems; others are eyesores, but they are a fascinating and important part of our city’s story. Take the tour, discover your own suspended spaces and add them to the map.

‘Anti-park’ to ‘Designer Park’? The proposed development of Berlin’s Tempelhofer Feld

Tempelhofer Freiheit in summer 2012

Tempelhofer Freiheit in summer 2012

by Clare Murray, PhD candidate in German Studies

The heavily contested decision to remove part of the longest remaining stretch of Berlin Wall to make way for luxury new flats has led to the re-emergence of some of the key issues that have characterised post-unification urban planning in Berlin: gentrification; the treatment of historical traces; and the significance of interim spaces. Underlying these is the confrontation between a market-driven, neo-liberal socio-economic structure and a rejection of that as a dominant framework which should shape the urban environment of Berlin. At the time of writing, the East Side Gallery has been granted a stay of execution but this is far from the only arena in Berlin where these debates play out:  just over five kilometres away the airfield of the former Flughafen Tempelhof is subject to a redevelopment plan which has pitted individuals, citizens’ groups, and some politicians against the Berlin Senate.

The site itself is of great architectural and historical importance: The airfield is a key site in aviation history having hosted pioneering flight demonstrations in the early twentieth century; Sagebiel’s colossal airport building, begun in 1937 and never fully realised, was one of the prestige projects of the Third Reich. A hybrid between stone-clad National Socialist monumentality and a technically innovative 1930s city airport, it remains one of the most iconic buildings in Berlin; the use of the airport by the American Air Force after the war, and in particular, its connection with the Air Lift have re-inscribed the site as a ‘symbol of freedom’ to many (West) Berliners; and the controversial cessation of flight operations in 2008 brought the site’s future firmly into public discourse.

When the airport closed, a unique asset was brought back into public use: a 270 hectare area of open space.  Its use as a military exercise and parade ground and then as an airfield had preserved the vast green area and enabled it to leap-frog almost two centuries of ideas about how public space should be constituted. It has now, however, been exposed to the forces acting on the 21st century Western European city. In 2010 the airfield was opened as a unique city park, enabling visitors to cycle and skate on the former runways and to play sport and picnic underneath now defunct signs displaying instructions to pilots. Citizens were invited to apply for space to establish interim ‘pioneer’ projects which currently range from a unicycle school to allotment-type ‘urban gardening’ facilities for residents without access to a garden.

On 6th March 2013 the ‘masterplan’ for the future of the site was unveiled at a lively public meeting in the former airport building. The plans confirmed the intention to ‘develop’ the former airfield in two senses of the word: to build new ‘city quarters’ on the field’s edges; and to alter its internal structure[1]. The Senate for Urban Development states that they are meeting demands for increased housing in Berlin and for improved facilities at the park yet both elements of this reconfiguration of Tempelhofer Feld are being met with resistance.

Citizens’ initiatives such as 100% Tempelhofer Feld are leading the campaign against the proposal to build on the former airfield[2]. They have organised a petition for a referendum which will reach the second round in September. Green and Left Party politicians have submitted a motion to the Abgeordenethaus for a halt to the planning process while this petition is still running[3] .

The reaction is not only against the proposal to build on the site but also about the plan to reshape the 230 hectares that will remain as parkland. The 2013 ‘masterplan’ makes clear that the next few years will see increased intervention into the remaining park landscape.  The proposed system of pathways will shape how visitors use and experience the space, creating easily accessible areas which will be more intensively used than the expanse in the middle where there will be fewer paths. The 4 hectare water basin, which will collect rainwater from the building, will constitute the first major permanent feature on the landscape which does not attest to its history or former function. The 1000 trees, which are to be planted at the site’s edges to provide shade and seem to be positioned to serve a double function in screening the proposed new city quarters, will bring about a contraction of the site’s perimeter, diminishing the vast emptiness of the Feld’s panorama.

Those campaigning for Tempelhofer Feld to remain in its present condition fear the transformation of ‘anti-park’ into ‘designer park’[4]. The designation of ‘anti-park’ derives from the fact that, as an appropriation of left-over space, Tempelhofer Freheit, as the park is named,  is not the product of an over-arching  ‘park design’ process. Accordingly, several of the features that characterise the western public park are absent here.

In contrast to the taming of nature prized in the gardens of the baroque or renaissance period, the park at Tempelhof has been characterised by the celebration of the capacity of nature to reclaim and reassert itself.

The former fire-service practice plane. Summer 2011

The former fire-service practice plane. Summer 2011

Unlike the pathways of the nineteenth century park, with their graceful contours and simple variety which Joyce explains were carefully designed to encourage walking in the belief the working class would seek to emulate the comportment of their ‘betters’,  the default means of getting around Tempelhof are the former runways, shaped to fulfil an entirely different function. Similarly, while Joyce explains that a key feature in the design of nineteenth century public park was the variation of the (in)finitude of space, achieved through the strategic planting of trees to open and close the panorama, Tempelhof is characterised by the vast emptiness of its horizon[5].

Tempelhofer Freiheit. Summer 2012.

Tempelhofer Freiheit. Summer 2012.

In other ways, however, the ordering processes that Joyce identified in the nineteenth-century public park have been active at Tempelhofer Freiheit since its opening. There is, of course, considerable relaxation in the idea of what is ‘appropriate’ for a public park – ‘swearing’ and ‘dirty clothes’ are not banned, for example, yet the restriction of loose dogs and barbecuing to designated areas, unusual in Berlin, raised eyebrows. More pronounced is the issue of (in)accessibility that arose when it became clear that the park would have a perimeter fence with opening and closing hours;  ‘a people’s park –until the sun goes down’ wrote one newspaper[6]. The rejection of the idea that through the numbered gates and the non-porous boundaries of Tempelhof, the park and its visitors become countable, knowable and therefore manageable feeds into a wider theme which is particularly salient in 21st century Berlin; resistance to the homogenisation both of space and of the individuals that inhabit that space. Through the fence, Tempelhofer Feld is demarcated as a ‘place’ wherein particular norms of behaviour are expected and, to an extent, enforced.  This is consolidated by the fact that the public can only use the park during daylight hours, i.e. when they are visible, this suggests that when they cannot be seen, and thus monitored, the ‘general public’ may not conduct themselves ‘appropriately’ and should thus not be permitted to access the park.

Tempelhofer Feld is seen as a tranche of wilderness which through historical circumstance has persisted within the urban area. The proposed development is seen as an extension of attempts to manage its wilderness, to limit access to it, to shape how it is to be used and experienced and, most significantly, to repackage parts of it as a commodity.


[1] Up-to-date information and a PDF download of the masterplan are available at http://www.tempelhoferfreiheit.de/ueber-die-tempelhofer-freiheit/aktuelles/nachrichten/standortkonferenz/

Practising urban alternatives

by Jana Wendler, PhD candidate in Geography

There is lots of talk about the need for cities and urban life to become more equitable and sustainable – and there are initiatives and people that already practice alternative ways of living based on such ideas. Often described as some form of experiment, these places currently attract much attention as sites where alternatives are tested, showcased – and ultimately lived. What is interesting here, and what I researched as part of my PhD, is that their ‘alternative-ness’ is not only, and sometimes not even primarily, a direct statement. It emerges from the way the spaces look and feel, and how they are inhabited and performed. They are places that challenge our perceptions and interactions, with subtle invitations to touch, to explore and to think differently about our urban environment.

One of the biggest and best-known alternative areas in Europe is the free town of Christiania in Copenhagen, Denmark. A former military area next to the central neighbourhood of Christianshavn, it was occupied by squatters 40 years ago and has carved out an autonomous existence ever since. Christiania maintains its label as a “social-ecological experiment”, a term applied by the Danish government in the early 70s as a way of politically managing this alternative space in the middle of the city.

Although intricately tied up with ideals of alternative politics, anarchism and the right to self-determination, the experience of Christiania as a space of alternatives is primarily embodied. What strikes the visitor-researcher are the sights, sounds and smells. There is no traffic noise (Christiana is a car free zone), and the smells of hash (openly available) and woodfire (the main source of heating) are everywhere. At night, the unmarked gravel roads and paths are pitch-black. This sensory expression of being alternative marks the boundaries of the freetown as clearly as the big entrance gates proclaiming Christiania’s non-EU status.

Leaving Christiania: "You are now entering the EU"

Leaving Christiania: “You are now entering the EU”

Living Christiania: Open-air kitchen with rainwater harvesting system

Living Christiania: Open-air kitchen with rainwater harvesting system

Living Christiania: Colourful and creative house

Living Christiania: Colourful and creative house

These differences continue much deeper into the daily lives and the homes of the Christianites. Alternative urban life becomes materialised in the self-built houses that spread along the water. These wooden houses are reminiscent of anything from a playground hut to the masterpiece of a skilled craftsman, and they are intricately linked with the people that live in them. Some houses give a physical shape to their builders’ spiritual ideas (the pyramid house), others show their connection to nature and resources (a hut with an open-air kitchen and a compost toilet). They are part of the family history, and people come to be named after their house or vice versa. Often the effects of these open relationships between people and material are quite playful, with bright colours, strange angles and unusual objects. Beyond a different sense experience, ideas of alternative living are practised here through unusual material constellations.

Another example is the Prinzessinnengarten, an urban garden in Berlin, created in 2009 on a brownfield site in the hip but poor area of Kreuzberg. It offers 6000 m² of green against the roundabout and towerblocks just outside its fence, with a café area and many ways for people to get involved. It is experimental mainly in its approach: of seeing what you can do with a wasteland once you allow people to ‘plant’ their ideas onto it, and of asking questions about food, biodiversity and the sustainable city in an unusual setting.

The garden stands as a counterpoint to its surroundings but it remains fundamentally urban: the vegetables grow in colourful plastic boxes and bags because the soil is not usable, the sound of birds mixes with the police siren outside, the label on the garden-produced honey says it comes from “city bees”. This gives it a unique aesthetic and sensescape, and it makes room for interactions that are lacking elsewhere. There are no signs warning visitors against touching the plants; in fact people are encouraged to feel, to smell, to dig. If you order herbal tea, you can choose and cut your own ingredients. During the gardening days, anyone can help shovelling soil, and then harvest their own produce. The interactions with the space are tactile, embodied, direct.

Prinzessinnengarten: Growing Alternatives

Prinzessinnengarten: Growing Alternatives

Prinzessinnengarten: Touching Alternatives

Prinzessinnengarten: Touching Alternatives

 

These invitations to explore bring the alternative ideas of the garden to life. The suggestions it makes about sustainable urban life are not proclaimed but practised – by the office worker who tends to his bees in his lunch break, by the volunteers who mix soil and plant tomatoes. They are also expressed in the colours, materials and solutions in the garden, which provide new starting points and practical inspiration. The garden as a space for learning and engagement both emerges from and creates the conditions for new relations between people, plants and materials.

The buildings of Christiania and the plant boxes of the Prinzessinnengarten give us a glimpse of different ways of being urban, and of ways in which such alternatives can be tried out. They speak of the connections people form with their immediate surroundings, and introduce alternatives not based on any overarching idea of the sustainable city, but on direct embodied, material interactions. The spaces allow people to give a material expression to their values and visions. They encourage further experimentation by leaving loose ends, by juxtaposing ideas and by asking the visitor to take an active stance. They are also fun, interesting places to be – adding a playful element to the challenge of finding urban alternatives.

The fieldwork in Christiania was kindly supported by the Christiania Researcher in Residence (CRIR) project. More information on the research: http://greenplaylab.co.uk

The Original Modern

Grid image of arches -  Brian Rosa

Grid image of arches – Brian Rosa

by Brian Rosa, PhD candidate in Geography

Manchester is a city of superlatives: it was the prototypical “shock city” of the Industrial Revolution, Friedrich Engels and Karl Marx’s model for everything that was abhorrent in the industrial capitalist city, and one of the birthplaces of the labor and women’s suffrage movements.  In its heyday, Manchester was depicted in literature of Engels, Alexis de Toqueville and later the paintings of L.S. Lowry, as an uninterrupted, chaotic anti-landscape of chimneys and smoke, strewn across a featureless topography. Its unprecedented configuration invoked equal parts awe and dread, moral panic, and tempestuous visions of the future. In 1833, Toqueville described the crowded conditions, poorly constructed housing, hulking factories, and environmental degradation of Manchester: “From the foul drain the great stream of human industry flows out to fertilize the whole world.  From this filthy sewer pure gold flows.  Here humanity attains its most complete development and its most brutish; here civilization works its miracles, and civilized man is turned back almost into a savage” (cited in Konvitz 1985).

Like so many formerly industrial cities that followed, the inability to eradicate the industrial history in Manchester was not out of a lack of desire. From the post-World War II period of deindustrialization until the late Seventies, Manchester city planners’ main goal was to not repeat the ‘indiscriminate building of the industrial revolution’ (Nicholas 1945, p.87), and to counteract the ‘image of grime and obsolescence inherited from the industrial revolution’ (City and Council Borough of Manchester 1967, p.39). In his 1978 description of Stockport, just south of Manchester, historic preservationist Randolph Langenbach described the demolition of the mills around Stockport Viaduct: “the destruction is so complete that one can only believe that it must have been the result of an intentional effort to expunge the 19th-century industrial image” (cited in Parkinson-Bailey 2000, p.203).

We can see these phantasmal landscapes in W.G. Sebald’s The Emigrants in Max Ferber’s walks through 1950s Manchester: “In Ardwick, Brunswick, All Saints, Hulme and Angel Fields too, districts adjoining the centre to the south, whole square kilometers of working-class homes had been pulled down by the authorities, so that, once the demolition rubble had been removed, all that was left to recall the lives of thousands of people was the grid-like layout of the streets….  On that bare terrain, which was like a glacis around the heart of the city, it was in fact always and only children that one encountered” (2002, pp.157–158).

Despite the wholesale erasure of industrial-era working-class housing, what is left of Manchester city centre still bears considerable evidence to its industrial past: the monumental warehouses of Whitworth Street have been converted to residential lofts and offices, the opulent Cotton Exchange building has been transformed into the Royal Exchange Theatre, and the Manchester Central Railway Station is an exhibition and conference center.  In the areas closest to the employment, entertainment and retail center of Manchester (and accordingly, of the Northwest of England), the “Dark, satanic mills” are now the realms of the yuppie.  Throughout much of the city, the soot has been removed from industrial facades to reveal red bricks, made more vibrant by consistently cloudy skies.

Just as “Cottonopolis” was the first industrial city, and accordingly, for a moment, world’s most futuristic city, it was also one of the first ‘postindustrial’ cities.  Since the 1970s, this city of red brick has become the master of municipal entrepreneurialism based on a sanitized industrial history—a new heritage industry emerged, repackaging the city in the sepia tones of nostalgia. Branding itself as “The Original Modern”, city boosters Marketing Manchester project an outward image as a risk-taking city that shirks convention and always has.   After decades of embarrassment and disavowal of its industrial dowry, the city’s well-branded “urban renaissance” has been predicated on a reinvention that both conceals and reveals its cultural heritage, in an amalgam of selective memory and outright amnesia.

In a visual and material sense, what symbolizes a demystified Mancunian modernity? It’s a more difficult question to answer than one might presume. Domestic scenes of back-to-back tenements are the realm of dusty dioramas in museums—mannequins behind glass, nestled among obsolete machinery. In Ancoats, just east of the city centre, the world’s first industrial suburb has been reworked as an “Urban Village” inviting in the new pioneers, real estate developers have built an ornamental extension to the Rochdale Canal, site of a former housing estate, to increase waterfront real estate.  In Castlefield, the central node of industrial era productive networks, simulacral warehouses provide residential lofts where real warehouses were demolished in the 1960s.

Amidst all of the erasure and reconfiguration, industrial-era transportation infrastructure looms large on the built environment of the city in the form successive layers of canals and elevated railways. Within the sea of brick, the scoliotic railway viaducts stand as the primary beacons of a bygone era that is still central to Manchester’s identity. Accordingly, the arches serve as a backdrop to many a Manchester mise-en-scène:  in the opening credits of every episode of Coronation Street, the everyday environment of Manchester is signified in the railway viaduct that is nestled in the background of a working-class neighborhood.  By the same token, the arches become so familiar in the everyday life of the city that they rarely seem to be in the foreground. From the ground level, they interweave through the urban tapestry, appearing and disappearing, but never far away.

Foregrounding the Backdrop

To identify the “original modern” in Manchester would be to excavate material traces of Manchester’s ascent into industrial modernity- the maelstrom of rapid change, technological discoveries, social upheaval, exponential urban growth, and the fluctuating markets of proto-globalization. The industrialization of Manchester was predicated on the development of a vast, networked transportation system and the colonization of the countryside, with the railway playing a central symbolic and material role in this upheaval.  As political philosopher Marshall Berman explains, if we move forward a hundred years from when Jean-Jacques Rousseau first used the term moderniste in its contemporary form “and try to identify the distinctive rhythms and timbres of nineteenth-century modernity, the first thing we will notice is the highly developed, differentiated and dynamic new landscape in which modern experience takes place.  This is a landscape of steam engines, automatic factories, railroads, vast new industrial zones; of teeming cities that have grown overnight, often with dreadful human consequences” (Berman 1988, p.18).  In this sense, the railway becomes the apotheosis of modernity, and nowhere more so than in Manchester.

We are left with the brick railway viaducts: structures that must have seemed so futuristic at the time, time-space platforms hewn from the same red brick as the temples to industry that they supplied. This infrastructure is not superimposed on the city; its presence continues as an imposition that still affects the reshaping of the city.

References:

Berman, M., 1988. All That is Solid Melts into Air:  The Experience of Modernity, New York: Penguin Books.

City and Council Borough of Manchester, 1967. City Centre Map 1967, Manchester: City and Council Borough of Manchester.

Konvitz, J.A., 1985. The Urban Millenium: The City-Building Process from the Early Middle Ages to the Present, Carbondale and Edwardsville, Illinois: Southern Illinois University Press.

Nicholas, R., 1945. City of Manchester Plan.

Parkinson-Bailey, J.J., 2000. Manchester: An Architectural History, Manchester and New York: Manchester University Press.

Sebald, W.G., 2002. The Emigrants, London: Vintage.


Safe to breathe yet?

by Andrew Speak, PhD candidate Geography

Remember the hole in the ozone layer?  It’s amazing how little discussion is given now to what seemed like a major global crisis just 20 years ago, but such is the nature of the media.  A huge hole in the Earth’s protective ozone layer was discovered over the Antarctic in the mid 1980s which prompted a ban on refrigerators and aerosol sprays that contained the culprit – CFCs.  It was another example, of which there are many in recent years, of how the whole of the developed and developing world was forced to wake up to the consequences of altering the composition of our atmosphere, and the media was full of cartoons of giant hairspray cans burning a hole in the planet.  Well the good news is that the hole is repairing itself since the CFC phase-out, albeit very, very slowly but a whole generation are coming along now with no idea that it ever existed.  This brings home the fact that environmental issues, that no longer seem important, can get neglected from media coverage and thus escape the attention of the majority of people.  So what about urban air pollution?

The UK has a long history of urban air pollution, with laws introduced as far back as the 13th century to regulate the use of coal in London in a bid to reduce smoke pollution.  In Manchester in 1792, the town hall emphasised the need for industrial chimneys to reduce smoke from coal combustion.  Many of Manchester’s buildings were covered in a layer of soot and grime, which undoubtedly found its way into the lungs of Mancunians.

View from Blackfriar’s Bridge over the River Irwell, 1870’s

View from Blackfriar’s Bridge over the River Irwell, 1870’s.  Engraving by Charles Roberts (Evans Picture Library)

The Clean Air Act of 1956 was introduced as a reaction to the Great London Smog, caused by burning low grade, sulphur-rich coal in a winter temperature inversion period, which caused an estimated 12,000 excess deaths.  Since then, the quality of the air in our cities has gradually improved thanks to a switch from coal to gas, industries moving out of city centres, and improvements in the technologies that reduce emissions.  So now, air pollution feels like something that happens far away in LA with its daily photochemical smog cycle, or in the permahaze-shrouded megacities of China where coal is still a major energy source and car ownership is increasing exponentially.  Well don’t breathe too deeply when walking down Oxford Road just yet.  The reason is road traffic, which is responsible for most of the main urban air pollutants – carbon monoxide (CO), benzenes, oxides of nitrogen (NOx) and particulate matter (PM).  The latter consists of fine particles, smaller than 10 micrometres in diameter (a human hair is about 50 micrometres wide) which can penetrate deep into the lungs, causing inflammation and allowing harmful substances present such as lead and copper to exert effects.

Illustration of the size of particulate matter fractions, PM10 and PM2.5

Illustration of the size of particulate matter fractions, PM10 and PM2.5

Car ownership in the UK is still increasing (DfT, 2009), despite efforts to convince people to cycle or use public transport, and this is offsetting the impact of vehicular emission controls.  These emissions are linked to 50,000 premature deaths a year in the UK, and shorten our life expectancy by an average of seven to eight months.  They have also been linked to childhood asthma and even type II diabetes.  So the effects of air pollution are a bit more profound than just a blackening of bogies, personally experienced in London, a place not lightly called ‘The Big Smoke’.  Just because it is invisible, and only infrequently mentioned in the newspapers, does not mean the problem has gone away.

Monitoring stations have been set up around Manchester to provide information on the urban background air quality.  Ever wondered what that little building is in Piccadilly Gardens?  The website www.greatairmanchester.org.uk provides online access to these air quality data.  Most days the air quality is acceptable but there are spatial and temporal patterns to be aware of.  For instance, there is a peak twice daily coinciding with rush hour traffic, and this appears to be strongest in the city centre and on a Monday morning.  Also, roadsides are places to avoid being in for long periods of time.  Interestingly, a study in Lancaster found that if you are walking on an inclined road it’s better to walk on the side of the road that cars goes downhill because trees on the side of the road next to cars driving uphill were found to have higher loads of PM pollution on their leaves from the increased emissions of cars struggling up a slope (Maher et al., 2008).

Urban air quality monitoring station in Manchester city centre

Urban air quality monitoring station in Manchester city centre

This particle-capturing property of vegetation is being exploited to improve the air quality in cities.  Strategic roadside tree planting can remove a large amount of pollution by trapping it on the leaf surface where it is subsequently washed off by rains.  This is yet another example of the benefits of urban greenspace, which include keeping people cool in heatwaves, reducing the risk of surface flooding, and simply lifting people’s spirits and making them feel better.  Tree-planting schemes are hindered, however, by a general lack of space within cites, and the fact that there is a considerable dollar sign attached to urban land.  For example, the site of the old BBC would make a lovely park but we all know it is destined to be a glass and steel multi-purpose hotel/supermarket/student accommodation/leisure complex.  Or something.  So it would appear that air pollution is here to stay, as technologies to reduce vehicle pollution at its source seem to have stalled.

One solution is to use the space afforded by rooftops and install green roofs.  Recent research in Manchester has shown that they can make a not-insignificant dent in the PM concentrations in the city centre, with 0.2 tonnes being removed a year in a scenario that involved all flat roofs getting a sedum green roof (Speak et al., 2012).  Larger plants, such as grasses and shrubs, would have a bigger impact, but are a bit more expensive to install and maintain than an ‘extensive’ sedum green roof.  See A (Green) Roof Above Your Head? for my other blog on green roofs in the UK.

An extensive green roof on the Number One First Street building, Manchester

An extensive green roof on the Number One First Street building, Manchester

A helping hand also comes from that seemingly permanent fixture in Manchester – the rain.  The rain droplets scavenge pollutants from the air as they fall, and recharge the capture efficiency of urban surfaces by giving them a good wash.  This, along with frequent strong westerly winds, means Manchester’s air quality isn’t as bad as in some other European cities, especially those in central and southern Europe.  However, the European Commission recently gave the UK a final warning over failures to meet limits for PM in London.  Perhaps it’s time to see urban greenspace as more than just an optional design feature for our city centres.  When combined with a decrease in car usage, maybe then we can ‘safely’ forget about this invisible threat.

References

DFT 2009. Department for Transport: Transport Trends 2009 Edition. London: HMSO.

MAHER, B. A., MOORE, C. & MATZKA, J. (2008) Spatial variation in vehicle-derived metal pollution identified by magnetic and elemental analysis of roadside tree leaves. Atmospheric Environment 42: 364-373.

SPEAK, A. F., ROTHWELL, J. J., LINDLEY, S. J. & SMITH, C. L. (2012) Urban particulate pollution reduction by four species of green roof vegetation in a UK city.  Atmospheric Environment 61:  283 – 293.

Urban Jacobinism?

by Andy Merrifield, Leverhulme Visiting Professor, Geography, University of Manchester

via flickr by Cocoloco Photography

via flickr by Cocoloco Photography

 

“When the government violates people’s rights, insurrection is, for the people and each portion of the people, the most sacred of rights and the most indispensable of duties?”

— Robespierre

“The history of the revolutionary movement is, first of all, the history of the links that give it its consistency”

— Agents of the Imaginary Party

One of the recurrent gripes about the movement we’ve  come to call “Occupy” — from the mass demonstrations in Cairo’s Tahrir Square to the eventual clearing out of Zuccotti Park — has been its failure to conceive a plan of action, a concerted strategy during its insurrection. There wasn’t and still isn’t any strategic campaign, critics says, no coordination between particular occupations, no sense of how to amalgamate and channel all that anger and dissatisfaction into a singular, unified oppositional force — one that can stick around over the long haul. (The most recent salvo is Thomas Frank’s in The Baffler magazine (#21): “With Occupy, the horizontal culture was everything. ‘The process is the message’… Beyond that there seems to have been virtually no strategy to speak of, no agenda to transmit to the world.”) The other, related quip is: What comes next after the insurrection, after the good guys have assumed power, or even when they’re still trying to wrestle against power? (Zizek has been vocal here: “carnivals are cheap,” he says. “What matters is the day after, when we will have to return to normal lives. Will there be any changes then?” Egypt, as a case in point, is still feeling the heat of a “successful” insurrection from a year or so ago.)

These two questions are intimately related and form part and parcel of the same revolutionary simultaneous equation: organizing an insurrection, consolidating it, moving through it, and, then, planning for its aftermath, putting in place something new, establishing a different set of social institutions and social relations in lieu of the old oppressive ones. (Simultaneous equations, we might remember, are equations between two unknowns, unknowns that must be solved at the same time.) This dual conundrum has preoccupied revolutionaries and revolutionary thought since time immemorial. Walter Benjamin, we know, plotted the revolution in his own head, even while — especially while? — he lurched toward his shadow figure, Blanqui, the man of action; Blanqui the arch-conspirator who spent thirty of his seventy-six years on earth in various French gaols.

Blanqui was everything Benjamin wasn’t: practical, fearless, ruthless. His very raison d’être was organization, plotting and propagandizing for the insurrection; Blanqui, Marx said, was the “head and soul” of the French workers’ movement. But Blanqui satisfies only the first part of that revolutionary simultaneous equation. “The activities of a professional conspirator like Blanqui,” Benjamin says, “certainly do not presuppose any belief in progress — they merely presuppose a determination to do away with present injustice. This firm resolve to snatch humanity at the last moment from the catastrophe looming at every turn is characteristic of Blanqui — more so than any other revolutionary politician of the time. He always refused to develop plans for what comes ‘later’.”

Blanqui dreamed of a worldwide league of revolutionary communists. He also tried to put that dream into reality, countenancing conspiracy as one method for instigating insurrection. Blanqui’s communism was an eclectic mix of Marxism avant la lettre and heterodox anarchism, of trying to consummate the revolutionary hopes begun in 1789, yet which ended in Thermidorian backlash. Blanqui “couldn’t adjust himself to an organization of huge dimensions,” Samuel Bernstein says in Auguste Blanqui and the Art of Insurrection (1971). “It rendered absurd his strategy of insurrection; and it placed in the foreground the working class which he had never regarded as a key propeller of history.” Blanqui’s political organization was limited in size, Bernstein says, tightly pulled together, hierarchical in structure; made “like a seamless garment, programmatically homogeneous, disciplined, obedient, and ready to move.” Blanqui’s insurrection  was vertically organized yet spread itself out horizontally, immanently entering daily life, not so much a factory struggle as an urban war, a civil war rooted above all else — or below all else — in the street.

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The key organizing medium for Blanquists was the “Society of the Seasons,” formed in the 1830s when Marx was still a fresh-faced lad. The society met clandestinely; leaders went unseen; meetings recruited foot soldiers who’d form an army of revolt, ready for action, likely violent action. The Society’s network barely stretched beyond Paris; but its covert nature of cells unnerved the powers that be and meant the Society punched above its weight, or at least threatened to. In Blanqui’s time, these Society of the Seasons were the revolutionary Jacobin clubs forty years down the line. (Blanqui may have disagreed: In his early career he admired the “Incorruptible” Jacobin, Robespierre, but later claimed he was really a Hébertist, a descendent of the radical eighteenth-century journalist Jacques-René Hébert.)

Blanqui knew, just as Robespierre knew, just as any revolutionary today must know, that if an insurrection were to succeed, and consolidate itself afterward, it would have to muster support from the faubourgs, from the banlieues, from the peripheral hinterlands. We might see any society of revolutionaries nowadays similarly needing to establish cells in the banlieues, cells within urban cells, revolutionary activity flowing through the capillaries and arteries of our global urban fabric, through its physical and fiber-optic infrastructure, through its hardware and thoughtware. These secret cells must plot to stymie the dominant flow of things and will likely be spearheaded by professional organizers and tacticians, by black bloc’er anarchists, by socialists and autonomous communists of different stripes and persuasions, by anonymous rookies, by those who’ve never been politically active before, by men and women, blacks and whites, young casseurs and voyous, by everybody who, with Occupy, with the Arab Spring, with the revolt in the banlieues, with the ongoing urban civil war everywhere, with growing unemployment, have found some medium to channel and refract their energies and dissatisfactions.

Perhaps there’s a neo-Jacobinism blowing in the wind, not quite bawling out but certainly getting whispered, a revival of Jacobin values with its great desire to abolish slavery in our urban neo-colonies, to denounce aristocratic plenty and root for sans-culotte empowerment. In 2010, for instance, Jacobin: A Magazine of Culture and Polemic was launched in the US by a young socialist journalist Bhaskar Sunkara; the mag attempts to tap a younger radical readership, urging people “to modify your dissent,” to turn the screw against neoliberalism; within its pages Zizek has already invoked “The Jacobin Spirit,” defending Robespierre and his “virtue of violence.” (See, too, Zizek’s presentation of Robespierre: Virtue and Terror [2007]; and Sophie Wahnich’s In Defense of Terror [2012].) Meanwhile, French radical publisher La fabrique not so long ago published the selected writings of Robespierre — Robespierre: pour le bonheur et pour la libérté [for happiness and for liberty]: “citoyens, voulez-vous une révolution sans révolution?”; and a biography by Georges Labica, first published in 1990, is scheduled to reappear soon, maybe at a riper moment, through the same house: Robespierre: une politique de la philosophie. “La Révolution n’est pas terminée,” warns editor Eric Hazan, mischievously.

The Jacobin club was founded on the eve of Revolution, in a Dominican convent on the Seine’s Right Bank, along rue Saint-Honoré. Meetings there were secret debating societies, made up of left-leaning deputies, republican enemies of the monarchy who’d push for the constitution of 1791. The club bore the noble label “Society of Friends of Liberty and Equality”; later it opened its membership to small storeowners and artisans. Over 5,000 clubs operated throughout France; pamphlets and newspapers got published; rallies and processions organized. After the fall of the monarchy, Robespierre led the Jacobins in the National Convention. But the revolutionary fervor of the Jacobins came through its popularism, through the support of the sans-culottes, “those beings,” a 1793 archive says, “who go everywhere on foot, who at no point have millions in the bank, nor a chateau, nor valets at their beck and call; who lodge simply and at night present themselves to their section … applying all their force to pulverize those who come from that abominable faction of stately men.” And those stately men, the aristocrats? “They’re the rich,” another 1793 document says, “all those fat merchants, all the monopolizers, the mountebanks, the bankers, all the swindlers and all those who have something.” Sound familiar?

And a “Society of Friends of Liberty and Equality,” a neo-Jacobin radicalism today that’s as organized and offensive as its namesake from the 1790s? Why not? This time, though, any society would really need to be “popular,” would need to open its doors to all types of sans-culottes, and of all genders. Meeting halls, debating chambers and political networks might be less grandiose: in cafés and on street corners, in estates and at youth centers, in universities classrooms and at mall bowling alleys, anywhere where young people hang out; dialogue might be online as well as face-to-face; a society of “friends” puts another egalitarian spin on Facebook camaraderie. A contra-Tea Party that drinks fair trade coffee.

But let’s be clear: secrecy would be paramount in these meetings, certainly initially, during the plotting, given how the forces of law and order mercilessly cracks down on all subversive politicking. We’ve heard about how the FBI infiltrated Occupy Wall Street (OWS), tracked known activists and student radicals, even on college campuses. The “Partnership for Civil Justice Fund” (PCJF), a US watchdog civil rights group, recently blew the whistle when they obtained FBI documents: “from its inception,” PCJF say, “the FBI treated the Occupy movement as a potential criminal and terrorist threat.” FBI offices and agents, “were in high gear conducting surveillance against the movement even as early as August 2011, a month prior to the establishment of the OWS encampment in Zuccotti Park and other Occupy actions around the country.” And in France, especially in the banlieues, the “Brigade anticriminalité” (BAC), overtly and covertly, has intensified “special police units” patrolling “les zones sensibles.” As Mathieu Rigouste writes in La domination policière (La fabrique, 2012), “the generalization of the BAC in urban territories is one of the decisive stamps of the counter-insurrectional restructuring of the police.”

If anything, “austerity” these days has become a veritable 9/11 in Europe: a watchword, in other words, for neoliberal governments to quieten any dissenting voice. In Greece, where austerity has been most brutally implemented, “centers of lawlessness” have been nipped in the bud. Early this past January, two longstanding “occupied” social centers in Athens, Villa Amalias and Skaramanga, with over 100 makeshift residents, were summarily evicted; and former denizens promptly arrested in an relentless police war of attrition, “Operation Zeus,” against all those outside the dominant orthodoxy, including undocumented migrants. (In Al Jazeera newspaper, Antonis Vradis reports from the frontline: www.aljazeera.com/indepth/opinion/2013/01/2013115105715250554.html.) “The eviction of Villa Amalias and the forthcoming police operation,” Vradis says, “reveals what is an inescapable contradiction in the reformulation of power in the Greek territory: In its short-term quest for stability, it is accelerating long-term social and political change.”

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Against such short-term desperation for stability comes, then, an urgent and accelerated need for social and political change. Any Jacobin revival has to take us into and through the insurrection; and  it has to leave us with something to build upon on the other side, in its aftermath. Which leads us to the second part of our revolutionary simultaneous equation. One of the amazing things Eric Hazan points out in Une histoire de la révolution française (La fabrique, 2012), his fresh, partisan take on an old story — the French Revolution — is how quickly it all happened, how fast an immense and deeply entrenched power structure and administration evaporated, caved in, without neither warning nor transition. Hazan evokes the spirit of the Jacobin club, as much about what it might still be as what it once was: “the Society and its affiliates functioned as a system of diffusion of radical ideas. Nothing is more absurd than the notion of ‘Jacobinism’ as an authoritarian Parisian dictatorship. That’s a fabrication inherited from the [counter-revolutionary] Thermidor, which endures along with a hatred of the Revolution.”

Hazan devotes memorable, generous lines — again with the same spirit of going back to the future — to the National Convention, the first revolutionary assembly elected through universal (male) suffrage. “Was the Convention representative of the people?” he asks. If considered as an electoral system, he says, which is to say, as a system of participatory democracy, then clearly not. Yet the virtues of the Convention, as well as its suggestive, enduring visionary politics, came and might still come through an altogether different means. To be sure, the Convention is still unprecedented in how it allowed ordinary people to intervene in its sittings. That ordinary citizens and not a few sans-culottes could pass through the hollowed gates of Parliamentary politics was remarkable then and almost unthinkable now.

Although the Convention’s “Salle du Manège” was limited in size, it did manage to receive three thousands citizens at any one time; and at tribunals, says Hazan, ordinary folk “didn’t hesitate to noisily speak out their opinion”; deputies were forced to respond on the spot and were directly answerable to peoples’ plain outspokenness, to interrogation from their constituents. Alongside this popular participation, sittings of the Convention kicked off by listening to peoples’ letters, often voicing long commentaries on deputies’ propositions, offering suggestions, sympathetic encouragement, angry critique. “In this regard,” concludes Hazan, “the Convention is the first and only national assembly where the people had been able to have their voice directly heard.”

So a message rings out, loud and jarringly: what an insurrection needs to do is force those Parliamentary doors open, smash them down if necessary, so that “the people” gain access. Not so much a participatory government as the chance for a real representative assembly, one in which elected politicians, for the first time in centuries, would actually be responsive to their electorate, engaging with them within an open democratic structure; they’d be answerable, in other words, to the populace not to the usual powerful suspects.

But how to keep counter-revolutionary economic and political interests at bay, how to justifiably shut them out of any new Convention, how to ruthlessly shut them out if necessary? The theme of violence inevitably enters the scene, the idea that there’s a legitimate violence responsive to the everyday violence initiated by the forces of law and order, from its judiciary to its paramilitary, from its surveillance and containment to the outright wars it wages against people its power base doesn’t like. War, from this standpoint, is a just-in-case response, a strike-first-ask-questions-later initiative, a branch of “democracy” that needs to construct its own inconceivable foe: terrorists. Guy Debord confirmed as much back in 1988: “Its wish is to be judged by its enemies rather than by its results.” “People must certainly never know everything about terrorism,” says Debord, “but they must always know enough to convince them that, compared with terrorism, everything else must be acceptable.”

More than two hundred years after Robespierre’s execution, an ideological logic lives on in governments around the world, one that defiles the Jacobin legacy, panders to a revisionist, right-wing Thermidorian telling of the truth: Robespierre was a bloody tyrant, a fanatical monster, a terrorist butcher. And yet, as Eric Hazan maintains, “Robespierre took positions of great coherence and astonishing courage — positions where he was always a minority and sometimes absolutely alone: against suffrage censitaire [census suffrage], for civic rights of actors and Jews, against martial law, against slavery in the colonies, against the death penalty, for the right to petition, for the freedom of the press … In what country, in what assembly, have we ever heard so much contre-courant argument declared with such force of conviction?” Robespierre was defiled, still is defiled, because what he said threatened ruling class privilege, upset their status quo; to defile him thus serves to tarnish every future hope of revolution, of future social change. “I was born to fight crime,” he says in a final speech from 1794. “The time has not arrived for men of substance to be able to serve their homeland with impunity; defenders of liberty will be outlaws, for as long as the horde of scoundrels predominates.”

The new urban question is about creating a Jacobin movement that can contest the “horde of scoundrels” who still predominate, stand up to their arsenal and ideologues; a movement that can loosen the neo-Haussmannite grip on our society, and declare war against its protagonists and puppets. Manuel Castells saw the old urban question as a question answered by “urban social movements” struggling for their right to the city; yet the new urban question needs to be countered by something much more expansive, something much more far-reaching: by an urban political movement that struggles for generalized democracy, that organizes a concerted insurrection; and, moreover, knows exactly what it’s fighting for as well as against. To do so we need visionaries as well as agitators, conspirators like Blanqui but also leaders like Robespierre, people with big plans and grand convictions — outlaw mathematicians who know, perhaps more than anything else, all about revolutionary simultaneous equations.